Bend Oregon Art Walk. Split shifts between Volcano Vineyards and Pandora’s Backpack.
I’m pleased to announce that I will be in downtown Bend, Oregon for the First Friday Art Walk from approximately 5-9PM this Friday, March 5th. I will start the evening at the Volcano Vineyards Tasting Room located at 126 NW Minnesota St I’ll be there from approximately 5-7PM.
At 7Pm I’ll move to Pandora’s Backpack which is located just around the corner at 920 NW Bond St where I’ll reside from approximately 7-9pm.
I’ll have some of my best work displayed at these locations so please stop by.
Volcano will have their always stellar wines available for a very fair price and the Pandora’s Backpack will have their always awful wine available for free! It should be noted that while Rod Bien’s(owner of Pandora’s Backpack) taste in wine has been know to make winos gag, they do have a beautiful collection of Patagonia clothing that will make any outdoor enthusiast giddy with excitement.

smiling and helpful staff members, like Whitney, seen above, will be available to serve you some semi-toxic wine tomorrow(3/5/10) at Pandora's Backpack
Please stop by for good or bad wine and hopefully great Photography! Below is a small sampling of the work I will have available.

Photo of a beautiful sunrise from one of Oregon's most photogenic locations, Central Oregon's Sparks Lake.
Please stop by as it should be a great evening!
All the Best,
Mike Putnam
First Friday Art Walk at my newest Bend Art Gallery: Volcano Vineyards Tasting Room
The First First Friday Art Walk for February 2010 is almost upon us and I’d like to officially invite everyone to the Volcano Vineyards Tasting room located at 126 NW Minnesota St(between Bond St and Wall St.) in Downtown Bend. I’ll be there Friday February 5th between 5PM and 9PM and my Fine Art Photographs will be hanging there through March 2010. I will have several new fine art photographs on display and the Quons will be playing as well, which should make for an entertaining evening.
As the First Friday art walk for downtown Bend was cancelled for January( because it was on New Years Day) This Art Walk for February should be especially busy and exciting. Below is another shot of the interior of The Volcano Tasting Room with some of my fine art landscape photographs on the walls.
Finally one last shot of the lovely and affable Liz Ratcliff who along with her husband, Scott, is the owner and operator of Volcano. If you see Liz on Friday night, buy a glass of their amazing Syrah and tell her the landscape photography looks stunning!
I hope to see some of you Friday Night At Volcano! Come enjoy the Great Wine, Great Music and Great photography at my newest fine art photography gallery in downtown Bend!
Thanks for Visiting,
Mike Putnam
Sage Cafe at Bend’s Northwest Crossing, My newest Art Gallery!
I have hung my fine art photographs at Sage Cafe in Bend, Oregon’s Northwest Crossing a couple of times in the past and it has always been rewarding in terms of the results and the experience. For those of you who live in Northwest Crossing, you are probably already with the great food, great coffee, and personable staff at Sage Cafe.
For those of you who don’t live in Northwest Crossing, you now have an extra reason to go visit this wonderful Deli/coffee shop/art gallery as my Landscape photography is currently hanging there and will be up through the end of February. Sage Cafe is located at 2762 NW Crossing Dr. #102 on the West side of Bend, Oregon. Below is part of the talented, affable, and hard-working staff at Sage.
Below you will see some of my Central Oregon pictures with my hand crafted frames hanging at Sage which will temporarily serve as my personal Bend Art Gallery. I will rotate images through Sage a couple of times this month, so please check back frequently to see which new landscape photographs they have hanging on their walls.
If anyone would like a private showing of any of the work currently hanging at Sage Cafe or any of my other work, please call me at 541.610.4815.
Thanks For Visiting,
Mike Putnam
My Large Format Photography Gear
Because I often field questions about what Kind of camera I use, my camera is a good place to start when discussing my camera gear. Most people want to know how I can create such large vibrant prints and what kind of digital camera I use. They are always surprised to learn that I use a large format 4×5 film camera to capture all of my fine art images. There are lots of reasons I explored and have subsequently stuck with a 4×5 camera despite its dated technology and painstaking workflow. Below is a picture of the 4×5 camera that I affectionately refer to as “The Big Rig” which I use to capture all of my fine art prints.

My 4x5 camera , "The Big Rig" which I use to capture all of the images in my fine art landscape portfolio.
THE CAMERA. WHY I STILL USE A LARGE FORMAT 4X5 CAMERA FOR ALL OF MY FINE ART PRINTS.
1. I like it! I like working with a semi-historic camera, I like the feel of it’s cherry wood body, I like the feel of the brass fittings and I like the fact that I feel like I am creating art with art when I am composing a scene with this beautiful camera. It is a very Artisan way of capturing and creating fine art images. In a time of ever advancing digital technology, Film simply film simply feels more real to me. I consider myself a documentary artist. My intention is to capture natural scenes at their very best with minimal post processing. My 4×5 camera helps keep me in touch with that intention.
2. The deliberate process of using this camera makes me fine tune my images before exposure. This camera is largely the opposite of modern digital cameras with which you can fire away without discretion. The film is expensive as is the processing. I estimate that it costs me about $10 per exposure with this camera. The inherent deliberation required with using this type of camera, combined with the cost forces me to pay attention to composition, exposure and focus. This extra attention to details actually saves me time in post processing and that I like.
3. Perspective Control. Large Format cameras like mine are made with bellows so that the film plane and the lens plane can move separate of one another. This separate movement allows me to change the plane of focus in a given shot so that I can get a larger percentage of a given scene in sharp focus than is possible with digital and 35 mm cameras.
4. Big Image format. Part of the reason that I refer to my camera as “The Big Rig” is that it is physically large. The other reason is that it has a very large film format(4 inches x 5 inches, thus the term 4×5 camera). The magic of this kind of camera lies in this large film format. I have to enlarge my transparencies very little compared to digital and other types of film cameras when I want to make a large print. Because of this large film format, I can also make an exceptionally detailed fine art print at very large print sizes. I’ve read that a slow speed 4×5 transparency can be drum scanned and is the equivalent of a 150 megabyte digital camera. That’s huge and that is a big part of why I love this camera.
THE TRIPOD( see the above image)
I use a Gitzo 1228 Carbon fiber tripod and I love it.(Come on Gitzo, how about a little sponsorship money!) It is light for a tripod that is so sturdy because of the carbon fiber material that it is made of. It has plenty of stability, adjustability and it does a good job of dampening vibration which allows me to create images that are crisp and wiggle-free. I also use a Gitzo ball head, for a full range of camera focusing options.
THE LENSES
I carry a small stable of lenses when ever I go out shooting. Because telephoto lenses tend to have lower image quality than fixed lenses, I have opted to use only fixed lenses in my lens collection. My lens collection is pictured below.

My Lens Collection. These lenses include 75mm,90mm,135mm,210mm, and 300mm and at the bottom of this image is my Pentax 1 degree Spotmeter
4×5 camera lenses tend to have a field of view that is 3x wider than the equivalent 35mm lenses. That is to say that the 75mm lens for my 4×5 camera is roughly equivalent to a 25mm lens on a 35 mm camera. My lenses include a 75mm,90mm,135mm,210mm, and 300mm. In terms of a 35mm camera, this collection does not allow for a very long/telephoto option. This is fine with me. In general, the further away a photographer is from his or her subject, the lower the image quality is. Not having a longer lens option, forces me to get closer closer to my subjects and therefore I have more sharpness in my images and greater image quality. It is simultaneously a self control and a quality control mechanism! These lenses are all very specialized and therefore very expensive but without a great lens you cannot have a sharp image, so I’m willing to pay the price.
The pentax spot meter at the bottom of the above picture is the tool I use to take light readings which I then use to calculate exposure times. The fact that it is a 1 degree spot meter means that it samples light from a circle only 1 degree in diameter. This gives me greater control over exposure which is especially valuable is some unusual lighting situations.

Me and "The Big Rig" at my preferred office, high in the Oregon Cascades. Photo Credit: "Old Mike" Croxford
These are the high points from my gear collection. I have a hand full of other goodies that accompany me on my photography outings, but they aren’t as critical as my camera, lenses, and tripod. If you are an aspiring photographer and would like some further information or advice about photography gear, please feel free to contact me through the “contact” tab at the upper right hand corner of the home page of this website.
Thanks For Visiting,
Mike Putnam
Framing My Fine Art Landscape Photographs, A Little Bit of Blue Collar Bliss
Because I have fielded lots of questions regarding the framing That I select for my Fine Art Landscape Photographs, I’ve finally decided to write an informative piece about this very subject, and here it is! Many people have noticed that when my fine art prints are seen in shows or exhibits, they are all framed very similarly and most people tend to find the framing very attractive(at least the ones who hate my framing don’t tell me about it!) Below is one of my large format landscape photographs framed and hanging over the mantle in my house. A little bit of history will reveal why I frame my prints the way I do and then I’ll go into how I actually make the frames.

One of My Large Format Landscape photographs framed with the Cherry wood frames that I make by hand in my basement workshop.
Long ago, after I had printed my very first large scale fine art print, I took my print into a frame shop. Lets just say that it is a very large chain type of frame shop. This particular store frequently has 50% off sales, so I took a coupon in and selected some matting,mounting,glass, and moulding(the pre-made framing material). When the charges were totaled, the price was mind bogglingly high! Even at 50% off! I quickly realized that I would not be able to afford to frame many large scale fine art prints with this ridiculous pricing structure. A Do-It-Yourself mentality took over and I decided to try to make my own frame. Because I am fairly handy and I have done a little furniture making in the past, I extrapolated from what I already knew. An underlying insecurity drove me to select cherry as my wood of choice because I knew that if no one ever bought one of my framed prints, the prints would still match the mantle in our living room, which is also made of cherry wood! I have to admit that I have also had a preference for cherry wood in that It is hard, works well, it often has wonderful grain patterns and I think it looks beautiful with a natural Oil finish which I prefer. I’ll spare you the intricacies of the evolution of my framing techniques and I’ll jump straight to how I make my frames.
Before I delve into the intricacies of frame making, let me preface everything by saying that the following pictures are in no means fine art. They are snap shots. I’ll also add that my process of frame making is not fine art. It is hard blue collar work, that makes me feel tough. It is dirty, sometimes physically tiring, and after a long day of frame making, I’m exhausted. That being said, I love the results. I describe my frames as being simple, elegant, natural, and unique. They are a perfect compliment to my fine art photography. They are not perfect, because the real cherry wood that I make them from is not perfect, but it does have wonderful character that makes it much more interesting that processed, fake frames.
I start my process with real, cherry wood that I buy at Hardwood Industries here in Bend Oregon. The guys there, Tom, Hunter, and Mike are very helpful moving pallets of wood around with their forklift so that I can get to the high quality cherry wood that I need. I go through big piles of rough sawn wood an select boards that have mostly heart wood and interesting grain that I think I can make into a beautiful frame. Below is a pile of hardwood in the raw at the Hardwood Industries.
After selecting the boards I want, I stuff these 10 foot long pieces of lumber into my truck and haul them down to my basement once I arrive at home.
I’d like to remind you that My basement wood shop, which I affectionately refer to as Lava Lands Wood Shop(because there are small basalt columns in my shop which are remnants of an ancient volcanic eruption) is not a show room and it is not especially pretty but is is efficient and I do a lot of real blue collar work there. I bet the guys on “This old House” don’t have a lava flow in their shop! Perhaps the only thing pretty about my shop is my new Cabinet grade Table saw(Thanks to the folks at Grizzly who made it). I love my table saw! I is burly(526 lbs) and will cut through anything. Yes, Mom, I know it will cut through my arm too. Below is a dusty shot of my workhorse grizzly table saw.
Back to the frames. I decide how many frames I want to make and of what size and then determine which individual board will work the best for my purposes. I then chop the boards to approximate length with my Dewalt miter saw.
Next I rip the wood to the appropriate width with my beautiful Grizzly Table Saw.
I usually rip the wood for several frames at a time until I have stacks of wood of the appropriate dimensions as seen below.
Next I examine each piece of wood and determine which of its two wide faces are best for the front of a picture frames. I don’t like sap wood(white wood) to show on the face of my frames and I don’t want any cracks or worm holes to be present either. After the inspection, I cut a “Rabbit” out of one corner of the bottom face of the wood so that I have a notch to fit the print, backing,glass,matting, etc. into. Below is a picture of m cutting a rabbit out of a piece of framing wood.
Next I step over to my vice and do some more fine tuned work. First I plane out the saw blade marks from the ends of each piece of wood.
Next step is the first of many steps involving sanding. Sanding is dusty,tiring, monotonous, it makes my hands achy the next morning, and I do a great deal of it on every frame I make. Despite being a grueling part of making frames, the results are wonderful. To feel a buttery smooth face on a piece of hard wood is always rewarding. First I sand each exposed side of a given piece of wood with 100 grit sand paper, then I sand it with 220 grit sand paper.
Sanding is a very time consuming step in my frame making process. After it is thankfully over, I miter the corners of each piece of wood as seen below.
Then I’m left with lots of little triangular pieces of wood. I typically throw these pieces away but I suspect they would make great kindling for a fire place, so if any of you readers happen to live in Bend, Oregon and need some great kindling for your wood burning fire place, you are more than welcome to come pick it up at my house.
After Mitering, I pair and mark and number the corners so that I can accurately join the corners when glueing and clamping them. I match up adjoining pieces and mark a joining point that serves as a marker for cutting a biscuit slot.
Below is an images of two mitered ends. One with a biscuit slotted into the joint face.
The idea of adding a biscuit joint to picture frames or any piece of furniture is that having a biscuit slotted gives more surface area for glue to adhere to, therefore making for a much stronger joint. This might be a little over-kill for picture frames but I like the idea that my picture frames are very durable and under normal conditions should last a lifetime.
You can see glue dripping off of the corners of the frame in the image above. After 24 hours of hardening, I begin another long session of sanding to even out and round off the corners and to remove any glue that has been smeared on the frames face during the glueing and clamping process.
I start this session with 100 grit sandpaper and follow that up with 220 grit sandpaper. Once everything is smooth, I burnish the entire surface of the frame with 0000 steel wool. Burnishing serves to further smooth the frames surface and slightly darken it as well. With vigorous rubbing, the surface of the frame actually heats and finishes with a wonderfully smooth finish which helps to highlight the beautiful grain of the cherry wood that I use to make the frames. Burnishing gives me a brisk upper body work-out and gives my frames an excellent quality finish.
After burnishing, I apply natural oils to the frame which slightly darken the wood’s surface. Frames are often lighter in color than I want them to be after I finish oiling them so I set them outside in direct sunlight to help darken the frames a little bit.
Suntanning my frames can be a little frustrating during winter storm cycles that offer little direct sunlight and frequent snow falls. If I have a delay in framing, it is usually because of this set in my framing process. For those of you not familiar with cherry wood, cherry naturally darkens with age and exposure to ambient light. Each piece of wood has a limit beyond which it won’t darken anymore, but some pieces can get quite dark. I try to reinforce this fact to collectors who select my framing rather than opting for their own custom framing. I am quite proud of how my frames look and how they make my landscape photographs look but it is important to note that I am never offended if someone wants to have one of my prints custom framed. I do the framing at cost so I receive no monetary benefit from someone selecting my frames. They are also very labor intensive( hours of work goes into each frame) but because I enjoy the process and because I like how they make my prints look, I continue to offer these hand made frames at a very reasonable price.
I should also note that while I do make all of my own picture frames, I do not cut my own mattes or glass. I leave that up to the guys at Art On The Go (David, Brian, and Matt) who do a great job at a fair price. I don’t have the space for matting equipment in my home and I honestly don’t think I could do as good of a job as they do anyway.
While making frames is far from blissful, I do enjoy the results and the opportunity to make something beautiful with my hands. It is a very blue collar activity but one that gives a little balance to my life as an Oregon landscape photographer.
If anyone has further questions regarding my framing Please feel free to contact me through my website, or E-Mail me directly at mputnam@bendcable.com
Thanks for Visiting,
Mike
New Photographs Now showing at the Volcano Vineyards Tasting Room in Downtown Bend, Oregon!
I’m excited to announce that I recently hung some of my new Oregon Landscape Photography at the Volcano Vineyards Tasting room in Downtown Bend. Their address is 126 NW Minnesota St., which is located between Bond St. and Wall St. Through some mutual friends, Mark Merrick and Susan Ruzzo, we have gotten to know Scott and Liz Ratcliff who are the owner operators of the Volcano Vineyards and we all decided that their beautiful new tasting room would be an excellent location to share my art work with the people of Bend. They source their grapes in Southern Oregon where they craft phenomenal reds and whites. Their wines really are excellent. In fact, Volcano Vineyards is considered to be the most highly decorated winery for its size in the U.S. ! Follow this link for some more information about Volcano Vineyards’ recent awards. Volcano Vineyards. Below is one of the Oregon Landscape photographs that are currently on display at Volcano.

Photo/picture of Oregon's Mount Washington in autumn now on display at the Volcano Vineyard tasting room in Bend, Oregon.
Timing and hard work and good friends were the keys to capturing this stunning Oregon Landscape photograph. I’ll simplify by saying that I’ve worked hard to make good friends, explaining two of the three keys. I take it back, I’ve been very lucky to find great friends here in Central Oregon. One of these great friends is Troy McMullin, who is an excellent photographer and exceptionally talented beer drinker. Thus we are friends! Troy found this glorious location which aptly displays the beauty of Oregon’s Mount Washington after he had scouted long and hard. It takes a grueling bushwack through dense underbrush along with a good GPS to find this location and I would have never found it without Troy’s extensive advanced scouting and his unusual ability to suffer in the name of adventure. Regardless, I owe him a thanks and I’ll probably buy him a beer sometime in gratitude for pointing me to this wonderful scene. As I mentioned, Timing was also crucial to capturing this landscape photograph. I wanted fresh fall snow and preferably some fall color on the opposite shores of Cabin Lake. The key is to get snow on the mountain and not around the lake and to have clear skies to the east so that the rising sun is not blocked from Mount Washington’s summit and preferably some clouds behind Mt. Washington to add some interest to the sky. Well, after several visits to this difficult location, everything came together. Once again, timing and/or luck were critical!
I was busy this fall. Below is another picture now hanging at Volcano. In this image I captured some wonderful fall color along the Crooked River north of Redmond, Oregon. Here is a link to a previous blog entry about this landscape photo. Crooked River Photo.
There are three separate images that I captured during a family backpacking trip into Canyon Creek Meadow at the base of Three Fingered Jack during this past summer. It is extraordinarily lucky for me to get three separate images with my large format 4×5 camera that are print worthy during the same trip but that was the case this summer during our trip to Three Fingered jack. The Canyon Creek area is always beautiful but this year the lupine meadows were especially full and stunning. Below are a couple images taken in the upper Canyon Creek Meadow.
I like that the lupines in this images are in excellent condition and I like the gentle sway that some of them have which gives this Oregon wildflower picture an elegant feel. There were Lupines everwhere as you can tell from the following image, also taken in Canyon Creek meadow.
Finally, here is one more picture from Canyon Creek Meadow that I took on the same backpacking trip. It is a different part of the meadow and I believe it generates a much different feel than most photographs you will find of Three Fingered Jack or Canyon Creek Meadow.
As I think about all the images I’ve currently got hanging down at Volcano, I realize that I’ve got that place pretty packed. I hope Scott and Liz don’t mind! Below is a distinctly more wintry image I took two years ago at Benham Falls along Bend, Oregon’s Deschutes River Trail. I was lucky to be able to drive to this location after such a heavy snow fall. It was actually pretty questionable and my poor daughter Emma got cold feet while patiently waiting for me to compose this snowy photograph. I’ve been to Benham many times and I’ve always had contrast control issues but the heavy snow load allowed me to capture an image that was not too contrasty. I am especially happy that I found this scenic waterfall while the trees around the river were still heavily flocked with snow, making for a great landscape image and making me a happy photographer!

Photo of Benham Falls in winter. This well known Bend Oregon waterfall is located along the Deschutes River Trail South of the city of Bend,Oregon
The following is a Sparks Lake Photo that I have never printed until now and I’m very excited about it. I captured an awesome light display with great snow on South Sister and Broken Top in this image. I was able to capture rare and wonderful light at one of Oregon’s most photogenic locations. Please stop by volcano and tell me if you like it as much as I do!

Photo of a beautiful sunrise from one of Oregon's most photogenic locations, Central Oregon's Sparks Lake.
Below is one more photo that can be viewed at the volcano tasting room in downtown Bend, Oregon. It is a simple but beautiful image of a vine maple overhanging the North Santiam River slightly west of the Cascade Crest. This individual tree had some of the most wonderful layering and color of any vine maples I’ve ever seen. It is a simple image but has a pleasant artistic feel.
Well, that includes all of the Fine art landscape photographs that I currently have displayed at the Volcano Vineyards tasting room on Minnesota Street in downtown Bend, Oregon. Please stop by to see my work and while you are there, buy a glass of wine. The Syrah is my favorite! Their wine really is excellent and Scott and Liz Ratcliff (the owners) are great people who are growing a unique and special business right here in Bend. While you are there, you might also tell them you like the photographs that currentl decorate the walls of their lovely tasting room!
All the Best,
Mike Putnam
Bend, Oregon Gift Photos. My New Framed 11×14 Fine Art Prints Make Great Holiday Gifts.
Bigger isn’t always better! I have to keep telling myself this as I make my newer, smaller sized 11×14 inch prints and the frames that go with them. I’ve always prided myself in being able to capture and create impeccably detailed large fine art prints, up to 40×50 inches. Because I love the look and feel of a stunning, large print, I use a large format 4×5 camera for all of my fine art prints. Because I’ve had lots of requests for smaller photos, I’ve finally changed my bigger is better mindset and begun producing 11×14 inch prints that have proven to be very popular. Below is an image of a custom made 11×14 inch print that I made this past summer. In the Photo is Bend, Oregon’s Shevlin Park with Tumalo Creek flowing through the middle of the image. Fall color was amazing two years ago, when I captured this particular photograph. To view some more photos of Shevlin Park in its autumn splendor, check out this previous blog entry. Shevlin Park Pictures.
My new line of 11×14 inch prints will appear much like the print seen in the photo above. If the print is framed by me it will have a hand made cherry wood frame like the one seen above. They will be dry mounted, be single matted(double matting is too busy for a smaller print size like this one and they will be behind UV protected glass. Like all of my fine landscape photographs, they will be hand signed by me, and they will have a hanging wire on the back. This all comes for the low,low,low price of $250! In all honesty, I don’t know where else you could find an archival fine art photograph, hand signed, mounted, matted, with glass and a hand crafted cherry wood frame for $250. All of the images in my Oregon fine art landscape portfolio will be available in this smaller size, so if you’d like to buy a unique gift for someone special, please drop me a line or give me a call. 541.610.4815.
Thanks For Reading,
Happy Holidays,
Mike Putnam
Central Oregon Autumn Ground cover.The next fine art print in my Macro photography art gallery.
Despite what you might think, I often find more difficulty with macro photography than I do with the big sweeping western landscapes for which I’m more well known. Frankly, finding and capturing very small yet attractive scenes is very challenging for me. What small scene is interesting enough to merit the expense and time commitment of shooting the scene, having expensive prints made, and then having the image framed, and then having the courage to show the print in public and have it be scrutinized by your peers and potential collectors?
In actuality,I find most macro photography somewhat cliched. How many close-ups of out of focus roses do I need to see? It is rare for me to find a macro image that is unique and doesn’t have any distracting and unsightly debris in the field of view.
Another difficulty I have with macro images is that they rarely convey a sense of place. I like to draw a parallel between Fine Art Landscape photography and the high end wine world. Both fine wines and fine art landscape photographs are a product of a special place on earth(think terroir in the wine world) and unique timing. No other wine will taste exactly like a 2007 Penner Ash Dussin Vineyard Pinot Noir (one of my personal favorites) and no other photograph will look exactly like a given fine art landscape photograph from Sparks Lake at sunrise after fresh snowfall in the mountains. Both the Penner Ash Pinot Noir and the Sparks Lake Print are unique because of the landscape and timing that make both of these wonderful things possible.
While the above photograph may never be one of my best sellers, I do feel that it conveys a sense of terroir and for me it holds enough interest to make it a worthy fine art photograph. I love the variation of color, the small water droplets and swirling motion of the uniquely shaped autumn foliage. This is an image that I nearly missed because I was focusing on the big picture. I was at Sparks Lake where I shot this New Sparks lake Photo. I was trying to find one more unique composition of South Sister and Broken Top framed over the glassy waters of Sparks Lake when I briefly looked down to find the splash of color and texture which eventually became the image you see above. I searched about on my hands and knees for quite some time, examining different little bits of ground cover until I found the tiny little scene that you see above. I shot this image with my large format 4×5 camera and I can’t wait to see this as a large framed print because of the way it uniquely represents a small but unique photographic terroir that is dear to me.
Thanks for visiting,
Mike Putnam
Oregon’s Mt. Washington Fine Art Photograph
The next of my soon to be released fine art prints is one that I’ve been trying to capture for two years now. It is a location that I have to thank Troy McMullin for. He scouted this image quite some time ago and I’ve searched for the appropriate conditions to make this shot work ever since then. My goal with all of my fine art large format photographs is to capture Oregon’s beautiful locations at the best time of year and under the optimal conditions. Optimizing variable photographic conditions of light, flower and plant colors and weather patterns obviously makes for a better fine art photograph but it also serves to better represent the beautiful and wild Oregon locations that recharge my soul. Photographing these locations in anything less than optimal conditions doesn’t do them justice. A good parallel to sub-optimal photographic conditions would be making your wife who you love more than anything go out to dinner for a fine meal without letting her shower and brush her teeth. (My loving wife would kill me!) She deserves better as do the wonderful Central Oregon Locations which I love so much!
Fresh snow on Oregon’s Mt. Washington was paramount for making this Photograph work as a fine art print. Without a heavy load of fresh snow, Mt. Washington looks small and meek. With snow, it has the Matterhorn like appearance which makes it one of my favorite Oregon Mountains. This Particular lake happens to have great trees on the opposite shores which are covered with lichen. At this particular time of year, the blueberries and huckleberry bushes on the opposite shore glow with the colors of fall. The clouds moving in on the right side of this image also help but from a compositional standpoint. As the focus with my 4×5 camera was very sharp in this image, I think this will make an exceptional Large format fine art print. The print is not yet complete but combining fresh snow, fall color, and great light at a beautiful Central Oregon location makes me think this fine art print will proudly represent Oregon’s natural beauty.
Thanks for visiting,
Mike Putnam
Crooked River Canyon in Autumn, My next Fine Art Print.
I have recently order several new fine art prints, my biggest order in quite some time. The following image of the Crooked River Canyon with some awesome fall color is part of that order. The timing of this image was great. Nice delicate overcast light, combined with well timed fall color along the riparian areas of Central Oregon’s Crooked River.
I think the textures and colors in this image will look great in a fine art print! As is the case with all of my fine art prints, I shot this image with my 4×5 large camera. While standing on the Crooked River Bridge composing this image, I slowly was swarmed with curious onlookers who enjoyed the Cherrywood, brass detailing and leather bellows on my camera. It was outside of my skill set to multi-task well but I did my best to answer everyone’s questions while composing and shooting this Crooked River Canyon picture.
Please visit my blog often to get some more updates regarding the new fine art prints that I will be producing in the next month.
Thanks for visiting,
Mike Putnam
Sparks Lake Fine Art Print on the Way. An Oregon Landscape photogapher’s dream!
As I tend to be an optimist, I have a long list of images that I want to capture with my large format 4×5 camera in order to make a beautiful fine art photograph. In my mind I have a vivid idea of what a given scene will look like when I get to the right spot at the right time on the right day. In reality, fine art photography rarely works out as smoothly as I’ve planned. The following image and story account one of the rare instances in which things worked out even better than I’d planned.

"Sparks Lake Sunrise" fine art Photograph captured with my 4x5 camera at Sparks Lake near Central Oregon's Cascade Lakes Highway
Central Oregon’s Sparks Lake is no secret as a landscape photography destination. Landscape photographers from all around the United States travel to this Central Oregon Lake off of Bend’s Cascade Lakes Highway for photography purposes. There is clearly something magical about this lake, in that it continues to facinate even after you’ve made hundreds of visits there, a I have. Oregon’s now deceased photographer laureate, Ray Atkeson, described Sparks Lake as his favorite photography destination, which is quite a compliment considering all that Oregon has to offer landscape photographers and outdoor adventurers. I’ve had good and bad luck at Sparks Lake and on this morning, I had exceptional luck. I arrived at the Lakes shores before sunrise the morning after fresh snows had coated and given detail to South Sister(on the left) and Broken Top Mountain(on the right) This coating of snow is critical to a great photograph, as the mountains would just be black blobs without the snow. This morning also happened to fall in a narrow autumn window after snows were falling in the cascades and before the Cascade Lakes Highway was closed for the winter(it closed shortly after I captured this shot) Because of Sparks Lake’s elevation, at nearly 6,000 snow comes early, stays late and piles deep.
This was one of those rare mornings where I get nervous shooting because I know that I may never see light like this again and especially not at a phenomenal location like Sparks Lake. I mostly shot with my large format 4×5 camera this morning in hopes of capturing a wonderful fine art print. When I got my transparencies back from this morning’s shoot, I was even more excited than the morning of the sunrise. They came out great! I recently sent one of the transparencies from this morning off for printing and I think it will make a stunning fine art print. I’m already picking out matting in my mind! I hope everyone loves this fine art print as much I I think I will!
All the Best,
Mike Putnam
Thanks for the First Friday Art Walk support!
I’d like to offer a special thanks to those of you who turned out(there were a lot of you) to my show at Pandora’s Backpack in downtown Bend, Oregon. The turn-out was exceptional! I got to meet some great new people which made my week for me. Below was one of the images which stole the show as it often does. I call it “Summit Sunrise” because I captured this image while standing on the summit of South Sister. It captures an iconic Central Oregon view and I thrilled it was enjoyed by many people on the night of 11/6/2009.
If you invest in this fine art print, don’t worry, you aren’t required to take any of my family photos with it! Thanks again to those who turned out to support me and the new friends I made.
On a different note, I just posted a blog entry about Silver Falls State Park at our Pacific Crest Stock Photography site. Please visit the following link to view some beautiful Oregon Waterfall images. Oregon Waterfall photos. Thanks again everyone!
Mike Putnam
The Next Great Oregon Mountain Image?
I recently went out on a morning Landscape photography shoot with good friend, Old Mike Croxford and we had some stunning scenery. I’m still waiting for the large format images from that morning to get back from processing but I’m very excited about the potential of those big beautiful transparencies. Below is a digital shot that I captured that morning. Imagine this image blown up to 50 inches across and you’ll understand why I’m excited to get my 4×5 large format transparencies back from my developers!
To read my account of that morning’s shoot, please follow this link about Oregon photos to our stock photography site. Oregon Landscape photography.
Don’t worry, I’ll let you know when the transparencies get processed!
Thanks for visiting,
Mike Putnam
New Fine Art Oregon Landscape Photography at the Bend Fall Art Hop
I’m excited to announce that I will have a few new Oregon Landscape Photographs available to the public for the very first time at my usual art haunt, Pandora’s Backpack (the Patagonia Store) on Bond Street in downtown Bend, Oregon. Art Hop should kick off at about 5pm and should wrap-up at about 9pm. If any of you are in the vicinity, please stop by, say “Hello” and check out my new work.
Below is one of my new images which will be unveiled. It features Three Fingered Jack Mountain in the Central Oregon Cascades and a beautiful little alpine stream.
Lots of alpine wildflowers, live water , a cool local mountain, early morning light and interesting clouds help to make this image a winner. I captured this photograph while on a backpacking trip with my wife and daughter this past summer. It is a little bit painful to admit that the summer is in fact past! Here is a link to a previous blog entry bout our trip to Three Fingered Jack and Canyon Creek Meadows.
Below is an image of Smith Rock State Park’s legendary ”Monkey Face” formation. It is an iconic and stunning rock tower recognizable to rock climbers around the world and hikers around Central Oregon. This is another Photograph that I captured with my 4×5 large format camera this past summer.
Great sunset light and a beautiful cloud grouping will make this a special fine art print for those of you who are rock climbers and hikers of Smith Rock’s famed trails.
The last of my new images is from the crown jewel in the Bend, Oregon Park system, Shevlin Park. I often run in Shevlin Park. It offers several great trail runs/hikes which you can learn more about here. Shevlin Park trails. While I’ve always considered Shevlin Park an gorgeous and special place, I’ve had little photographic luck there until last autumn when I captured the following image which I’m thrilled about. You might even say that I’m as excited about this image as my daughter Emma is about picking out new school clothes, which is saying a lot!
This image captures several things about Shevlin Park that I love. Riparian environments,fall color,old growth ponderosas, larch trees,and Tumalo Creek are all embodied by this beautiful image! For a few more fall images from Shevlin Park, you can visit the following blog entry. Shevlin Park. I hope you all enjoy it and I hope I to see some of you Friday, October 2nd 2009 at Pandora’s backpack in downtown Bend!
Oregon Stock Photos and some great new shots of the Wallowa Mountains
As some of you may know, I am the founder and operator of a small, High end stock photography company based in Bend, Oregon Called Pacific Crest Stock Photography. We specialize in excellent quality landscape images of Oregon with an emphasis on Central Oregon. There is a prominent trend in the stock photography world where stock photography businesses are being consolidated into larger collections of lower quality images. Our business plan dictates that we do just the opposite of that. We intend to stay small, represent very few photographers and only offer exceptional quality images for licensing. We love the area we live and adventure in and we only want it represented in the best light possible. We hope that by offering only high quality images that we will save valuable time for photo editors and photo buyers in their selection process.
As part of our Pacific Crest Stock business, we have also been maintaining a blog which documents our photo adventures where you can find great Central Oregon Photos. Pacific Crest Stock Blog.
My friend and business partner, Troy McMullin recently documented a phenomenal backpacking trip that he and I and our other friends, Jake and Old Mike took to the Wallowa Mountains and the Eagle Cap Wilderness Area in Northeast Oregon. To read the story and see some great photos, please visit the following link, Wallowa Mountains Photos. I’ll continue to make fine art updates at this Mike Putnam Photography site, but most of my trip accounts will be documented at our Pacific Crest Stock Blog so if you’d like to keep up with the adventures of Troy and myself, please visit our Pacific Crest Blog and book mark it!
Central Oregon Greeting Cards. They’re Here!
I’ve finally got all the details ironed out and my small initial line of Central Oregon Greeting Cards are now available. I’ve tried out the paypal online payment system and it is working great. I’ve even had a few advanced sales prior to this announcement!
These cards will be available in boxes of 8. You can purchase 8 of any one given card or you can purchase the “variety pack” which has one each of the eight different cards. You can find a tab for my new purchasing page on the right side of the home page of this website, or you can click the following link to access the greeting card purchasing page. Central Oregon Greeting Cards Cards are offered of each of the following Central Oregon Cascade Mountains. Mt. Jefferson, South Sister, Mt. Bachelor, Three Fingered Jack, Mt. Washington, The Three Sisters, Middle and North Sisters, and Broken Top.
The Cards themselves are very high quality with an attractive satin finish. They will be an excellent way of sharing a hand written note with friends, family, and clients who live in Central Oregon and beyond. For those of you in the business world, these cards will offer you the opportunity to truly personalize your correspondences with valued clients and simultaneously share the unique beauty of Central Oregon with them. The cards will initially sell for $3.00 each and boxes of 8 will sell for $24. Discounts will be available for large purchases made by distributors. Please write to me through the contact page of this website for pricing details regarding large retail orders. The contact tab is located at the top right hand corner of this page. Central Oregon Greeting Cards.
These Cards will soon be available through shop in Central Oregon. I’ll keep you up to date regarding those locations via this website, but for now, please purchase them directly through this website.
Thanks For Visiting,
Mike Putnam
First Friday Art Walk at Luxe Home Interiors in Downtown Bend. Come see the best in Oregon Landscape Photography Oregon
I hope everybody checks their Email one last time before leaving work for the weekend because I”m getting this announcement out a little late. I’ll be showing my work tonight, Friday June 5th at Luxe Home Interiors in downtown Bend , Oregon. During Art walks, the wine usually starts flowing at about 5:00PM and end at about 8:30PM. I’ll be there at about 5:30 due to some parenting responsibilities. If any of you are in the vicinity, please stop by and say “Hello”. Luxe is located at 856 NW Bond St. which is the same street that the Deschutes Brewery is on but Luxe is a couple of blocks to the south.
The above Sparks Photograph will be amongst the many fine art landscape photography prints of mine on display tonight, so please stop by get some free wine and patronize the arts! I hope to see you all tonight.
Mike Putnam
Bend , Oregon First Friday Art Hop at U.S. Bank Downtown Branch.
I’d like to thank the good people from U.S. bank, in Bend, Oregon, who recently purchased some of my fine art landscape photography for their newly remodeled downtown branch.
The above photograph is one of those now on permanent display at the downtown Bend, Oregon branch of the U. S. Bank. This beautiful image captures Central Oregon’s Broken Top Mountain at sunrise with a beautiful flower filled foreground which includes Monkeyflowers, Queen Anne’s Lace, Indian Paintbrush, Senecio, and alpine asters. This and all the other images at U.S. Bank are double matted with a museum white acid free matte which looks great at the bank.
The above Tumalo Falls also looks great at U. S. Bank. For those of you who have seen this image before, you’ll notice that this specific has a slightly different crop, giving it a more expansive feel. It is a crop I’ve wanted to try and one that the folks at U. S. Bank wanted for their downtown Bend, OR branch.
This semi-famous “summit sunrise” image is still one of my favorites and is now one of the favorites of U. S. Bank. It looks great there as it does at most locations. It gives a rugged, alpine balance to the balance of fine art images in the new collection at U. S. Bank.
The above Painted Hills print captured in the John Day unit of the Painted Hills area is another great representation of the tremendous geographic diversity that can be found in the Bend, Oregon area. This image is also a permanent member of the U.S. Bank’s art collection.
This picture of Jefferson Park was captured in late summer from one of my favorite camping and hiking areas and is one of the first locations that made me excited about fine art landscape photography. this is simply one of my favorite types of landscapes to capture. Beautiful snow-covered mountains, scenic alpine meadows filled with wildflowers and great warm evening light.
Smith Rock State Park offers endless fine art photography opportunities and this is one of my favorite prints from that wonderful Oregon location. The glowing towers bathing in soft warm light with a fore ground of the gently curving Crooked River offer another example of the phenomenal diversity of the Central Oregon region. I think all of the above images make a beautiful permanent addition to the downtown Bend , Oregon branch of U.S. Bank, but judge for yourself! Please stop in at the bank and tell me what you think.
I’d like to sincerely thank the kind people of U.S. Bank who chose to purchase my art work and who graciously hosted me during the May 2009 first Friday Art walk in Downtown Bend. The event was well attended and it was very rewarding to meet some new people who are willing to support the arts in Central Oregon. A special thanks should also go out to Stacey, Loretta, Andy, and the rest of the staff at the U.S. Bank Downtown branch. They were all very efficient, helpful, organized and pleasant people to work with during the completion of this art project.
Thank You!
Mike Putnam
Cascade Mountains Greeting Cards
One of my favorite Central Oregon Landscape photos is pictured below on the last of my new line of art cards to be introduced. This mountain image was captured from the summit of Central Oregon’s South Sister Mountain at sunrise. The Pink alpenglow experienced during that clear morning sunrise is one of the special things about living in mountainous areas. As you may know, alpenglow is given it’s pink color because low level morning or evening light that first reaches the summits of high mountains has to travel through a greater amount of the earth’s atmosphere before contacting the earth surface. Because of this increased contact with the earth’s atmosphere, many of the light’s wavelengths are filtered out, leaving pink as one of the most prominent colors in the light’s visible spectrum, thereby giving Alpenglow it’s pink color.
Because I love mountains in general and I especially love our Central Oregon Mountains, this is one of my favorite Central Oregon Landscape photos. It would be very difficult to capture a more alpine feeling landscape image in the Central Oregon area. I’ve climbed to the summit of South Sister many times in the past. It’s a long and difficult but non-technical climb to the summit via the Devil’s Lake or Green Lakes routes. As it requires nearly 5,000 vertical feet of elevation gain to reach South Sister’s 10,358 foot summit, the climb is not for everyone. Several years ago I developed what my wife would refer to as an obsession with capturing this landscape photograph. I’ve climbed South Sister three times purely with the intention of capturing this mountain image. On the first attempt, I started late at night and climbed for five hours only to have the summit cloud in unexpectedly, totally obscuring any photos I had hoped for. The next time I climbed with good friend, Jake “Squishy” Bell. We started climbing the previous evening and summited and set up camp at about 11 AM. The next morning was frighteningly windy. It was impossible to stand still without being blown about by the wind. The sunrise was beautiful but the photographic conditions were impossible with my large format camera. Unfortunately, the bellows on my camera tend to act as a small sail in windy conditions. It was terrifying to be near the summit edge, much less to perch my expensive camera near it. I climbed down the mountain without taking a single shot. Very disappointing! On my next attempt, I climbed with two other people, my sisters ex-boyfriend and his sister. There was lots of snow on the route requiring endless post holing into deep snow on steep slopes, making for a long and tedious climb. The next morning was glorious! No winds and the beautiful alpenglow you see in the above greeting made all of my previous efforts worth while. The fine art version of this beautiful Oregon scene is also stunning. In the large 50 inch print, you can see volcanoes all the way to Washington State. Middle Sister, North Sister, Three Fingered Jack, Mt. Jefferson, Black Butte, Mt. Hood, Mt. Adams, Mt. St. Helen’s, and Mt. Rainier are all visible making this arguably the most alpine of any Oregon Landscapes. If you are interested in seeing this Fine Art Print in person, please feel free to contact me. If you are interested in purchasing this or any of my other Cascade Mountain Greeting Cards, please check back in a couple of days because they are almost ready for sale!
As Always,
Thanks for Visiting,
Mike Putnam
Mt Jefferson, Central Oregon mountain Greeting Cards.
This is installment number 7 out of 8 images in my soon to be released line of Central Oregon Cascades greeting cards. The cards have allegedly been printed and are in route to Bend but the shipping will take several more days. I’m in the process of setting up e-commerce options on my website and finding appropriate shipping boxes for my cards. It will take until nearly the end of the month but things are progressing rapidly. The following image is one of my favorites of all the fine art images I’ve ever taken. It includes my favorite mountain, Mt. Jefferson, an incredible alpine flower meadow and a stunning lenticular cloud cap filling out this spectacular cascade mountain scene.
As an avid gardener, this scene is especially special for me. I always hope to find flower filled foregrounds but I rarely find them despite hundreds of hours of blind but hopeful backcountry wandering. I had visited this exact location with my friend , photographer, and fellow beer sommelier, Troy McMullin a few days prior to the day I shot this image. I realized that the flowers would be optimal in a few days so I decided to return. In between, I took a short backpacking trip to Oregon’s Mt. Hood. I knew that the light would be best for my Mt. Jefferson scene in the evening and I knew that it was a long way and a lot of vertical gain to reach this scene so I decided to go light and fast, trimming my pack weight to about 30 pounds. I knew I would be hiking out in the dark of night so I double checked the batteries for my headlamps and grabbed some extra food for my hike out.
I was extremely eager to get back to this scene so I hiked in very rapidly. It is about a 9 mile one way hike to this location which also requires extensive off trail scrambling and a good GPS reading to find. When I arrived I was thrilled and immediately set up my tripod and began composing the scene. As I worked the scene, something fantastic began to happen. A small lenticular cloud began to form over the summit of Mt. jefferson. I couldn’t believe my good fortune. Lenticular clouds often hold dense, artistic patterns but it is very difficult to predict their formation. They virtually always improve a landscape photograph. Clear blue skies are happy, but are somewhat boring and common in the world of Oregon Landscape Photography. The formation of this lenticular cloud was too good to be true! I nervously but frantically shot the scene and eventually captured what I think is one of the best Oregon landscape photos I’ve ever seen. To be able to enjoy this phenomenal scene was a wonderful experience. To be able to capture this scene on film was truly a gift!
After exposing all of the 4×5 film with my large format camera, I quietly enjoyed the scene and then quickly hiked out as darkness fell. I floated down the trail remembering the scene I’d just captured. In addition to this being one of my favorite landscape Photos, it has been well received by others. This same image will soon grace the cover of Visit Bend’s annual tourism guide for the Central Oregon area. To take a sneak peak at the cover please visit this link Visit Bend Cover. The link will take you to a previous blog entry I wrote about the cover shot on our Pacific Crest Stock Photography blog. To see this fine art photograph in a framed version, please visit the Visit Bend visitor center in downtown Bend. Their address is: 917 Harriman Street Bend, Oregon 97701 They currently have this image on display and they will soon carry my line of Central Oregon Cascade Greeting Cards.
Please check back to this blog in a couple of days as I have one more greeting card to announce and a final announcement when the greeting cards are officially for sale, hopefully by the end of April.
Thanks For Visiting,
Mike Putnam
Central Oregon’s Mt. Washington Greeting Cards
Continuing on in my series of new greeting cards which will soon be released, I’ll share a photo of Oregon’s Mt. Washington, one of the lesser recognized of the Central Oregon volcanoes. Mount Washington has its own wilderness area and is easily visible from both Santiam Pass and McKenzie pass. From along Santiam Pass and high above Suttle Lake, Mt. Washington has a shape somewhat reminiscent to the Matterhorn, but of course in a smaller version. It is a beautiful mountain. One of my favorite views of this scenic mountain is seen from Big Lake which is located near HooDoo ski resort slightly west of Santiam Pass. Big Lake is where I captured the following image which is represented in my soon to be released line of Central Oregon Greeting Cards.
Big Lake is a great recreational location offering camping, hiking, fishing, boating and great mountain views of Mt. Washington. I captured this Oregon Landscape photo last fall after an autumn snow covered the alpine areas high above the lake. To view some other pictures I took on this same colorful evening along the shores of Big lake click this link Mt. Washington Photos. This was one of many great photos I took that evening. The photography conditions were exceptional for several reasons. First, it is a great location for landscape photography regardless of the conditions. Second, the freshly fallen snow made for a much more detailed and interesting scene, giving is a more alpine look and feel. Third, the clouds were awesome, as was the sunset light which changed dramatically by the minute(see the previous link for some examples). Lastly, there was very little wind, allowing a wonderful mountain reflection of Mt. Washington in the still waters of Big Lake. This is one of my favorite compositions from that beautiful evening and also one of my wife, Debbie’s favorites. I think it is a great representation of Oregon’s Mt. Washington on a gorgeous evening and it will be well received in my new line of Central Oregon Cascade Mountain Greeting Cards. Please check back as there will be two more Central Oregon mountains covered in the next few days before my Art Cards arrive and are available.
Thanks for visiting,
Mike Putnam
Broken Top Fine Art Greeting Cards
The following fine art greeting card of Central Oregon’s Broken Top Mountain has become one of my signature shots and includes one of the best wildflower displays you will find in Oregon. I’ve hiked around Broken Top dozens of times and I’ve always found some beautiful subject matter for photography purposes but the day I captured this fine art picture was one of the best days I’ve had in quite some time. I had scouted around the flanks of Broken Top Mountain several times the previous week but light and wind had not cooperated with me while at the same scene from this greeting card.
I knew the Monkeyflowers and the Indian Paintbrush would be at their peak on this morning but the weather was questionable. I awoke at about 4AM with a contingency plan in mind. If the clouds and weather were cooperating, I’d make the long drive up to Broken Top and shoot the scene above. If the weather was less cooperative, I’d shoot at Sparks Lake which offered South Sister, and some potential macro wildflower photography. When I arrived at Sparks Lake The weather couldn’t make up its mind. I could periodically see the pinnacles of Broken Top with the remainder of the mountain shrouded in clouds. Knowing that the right clouds can make for an exceptional Landscape photograph, I decided to gamble and make the long drive and then hike to the above location, all before sunrise. When I arrive exhausted, the mountain was entirely cloud covered. I decided to shoot some macro flower images and as I set up, something miraculous happened. The clouds quickly began to raise, but just enough remained to create the above fine art photograph. It became just the scene I’d hoped for when I visualized the shot the previous day under bad light. I was thrilled! My exposures were long, with many over 10 seconds but the wind mostly cooperated and I captured the scenic landscape images for which I was hoping. In addition to the above fine art greeting card, I also captured a great fine art print with my large format 4×5 camera that morning. To see the fine art print from that morning, please visit the following link. Broken Top Print
I’ve got three more note cards to announce in my initial line of 8 Central Oregon Cascade Mountain greeting cards. The cards have gone to print and should be available before the end of the month. If you are interested in buying them, please visit this site often as I’ll definitely make an announcement here when they are available. As I’ve mentioned before, if anyone has suggestions regarding other Bend area locations that they would like to see immortalized in my next set of Central Oregon greeting Cards, please let me know by leaving a comment at the end of this blog entry, or email me via the contact tab on the upper right hand corner of this website. Some of the suggestions I’ve had so far have included Tumalo Falls, Shevlin Park, Mirror Pond, the Metolius River, the Deschutes River, and Smith Rock State Park. If you have any other suggestions, please let me know. Until next time.
Take Care,
Mike Putnam
Three Sisters Mountains Greeting Cards
Living In Bend, Oregon it is almost impossible to not be familiar with the Three Sisters Mountains. Most commonly they are referred to as South Sister, Middle Sister, and North Sister. They are also referred to as Charity(South), Hope(Middle) and Faith(North). These names are usually attributed to early settlers in the Central Oregon area.
All of the Three Sisters mountains are over 10,000 feet tall making them the third, fourth and fifth tallest mountains in the state of Oregon. In decreasing order of elevation they are South Sister, North Sister, and Middle Sister. In decreasing order of age they are North Sister, Middle Sister, and South Sister. Upon close viewing, this age order is easily recognizable in that North Sister is the most eroded followed by Middle sister and then South Sister which is by far the most massive of the Three Sisters.
Between the Three Sisters, there are 15 named glaciers, which is almost half of the 35 named glaciers in the state of Oregon. All Three of the Sisters are located within the appropriately named Three Sisters Wilderness Area which encompasses over 280,000 square acres of land making it the second largest wilderness area in Oregon. The most recent volcanic eruptions for each of these were as follows: North Sister 100,000 years ago, Middle Sister 50,000 years ago and South Sister 2,000 years ago.
Of the Three, South Sister is the most easily climbed of the three and is arguably the most frequently climbed glaciated mountain in the world. It is usually accessed via the Cascade Lakes Highway on the south side of the Three Sisters Wilderness area. The two most common trailheads for climbing of South Sister are the Green Lakes trail and the Devil’s Lake trail. While climbing South Sister is not technical, it does make for a long day with nearly 5,000 feet of elevation gain and loose volcanic pumice under foot for much of the climb. In the summit crater of South Sister is a small teardrop pool which melts out late every summer and is widely considered to be the highest lake in Oregon at over 10,000 feet in elevation. Middle Sister, like South Sister can be a non-technical climb but access is more difficult with most climbers departing from the Obsidian Trail area to the west of the Three Sisters or the Pole Creek trailhead near the city of Sisters, Oregon. North Sister is by far the most difficult and dangerous climb of the three mountains because of some very exposed and steep slopes with poor loose rock covering the route.
Personally, the Three Sisters Mountains are a prominent reason why my wife, Debbie and I moved to Bend, Oregon 12 years ago. Their glacier clad slopes are a stunning site at any time of the year and the fact that they are visible from many locations in the Central Oregon area make them a regular and wonderful landmark for visitors to Bend and the Central Oregon area.
The above picture of the Three Sisters Mountains with a foreground of A hayfield in the Tumalo Area. The hayfield adds texture and color to the scene and serves as a worthy foreground for these beautiful mountains. This scenic photo was taken in early autumn after a mountain snowfall. This picture was taken before sunrise while pink pre-morning light bather the sky above the Three Sisters. The foreground is made even more interesting because the hayfield had been coated with a light layer of frost during the night. The fine art print of the image offer excellent detail of the frost covered hay in the foreground.
If you have interest in purchasing this ore any of the other greeting cards in my line of soon to be launched Cascade Mountain Greeting Cards, please check back with this site soon as the cards have been ordered and will be printed soon and hopefully arrive before May 1st, 2009.
for those of you who have interest in fine art photographs of this or any my other Cascade Mountain Images, Please visit the following Link. Cascade Mountain Gallery
Thanks for visiting and check back soon for my next entry about my line of Oregon Greeting Cards.
All the Best,
Mike Putnam
Mt. Bachelor Greeting Cards, the Story behind the Picture.
The following Mt Bachelor greeting card is the third in my series of eight Central Oregon Greeting Cards. Hopefully they will arrive for purchase in about two weeks. As you ay be aware, my first series of art cards is focused on the beautiful volcanic mountains that highlight the skyline around Bend and the Central Oregon area. One of the reasons that My wife and I moved to Bend over 11 years ago was the beautiful cascade mountain views. When we visited it was it was a bluebird day in November after a fresh fall snow had covered the Central Oregon Cascades. The scenery was stunning. It wasn’t until several years later that I became a professional landscape photographer, but until this day, I feel a rush whenever I get to enjoy the expansive mountain views in Central Oregon.
As Most of you know, Mt. Bachelor is one of the most prominent ski resorts in the Pacific Northwest and is an important hub in the Central Oregon economy. In general, I like to de-emphasize the effects of man in my pictures but this is impossible when photographing Mt. Bachelor which is laced with ski runs, ski lifts, and lift houses. Nonetheless,some very attractive views of Mt. Bachelor, like this one as seen from Tumalo Mountain located to the North of Mt. Bachelor’s parking areas.
I’ve previously recounted some of the difficulties of winter photography in a previous blog entry on our Pacific Crest Stock Photography Blog
Winter travel in deep powder and a heavy photo backpack is tedious at best and torture at worst. Snow blows and obscures one’s lens, and It’s Cold! I love the beauty of sunrise alpenglow after a fresh winter snow fall on a Mountain filled scene but there is a price to pay for photographs like the one above. One of the most important things about winter photography snow. That’s obvious but not that easy. Fresh snow tends to blow off of trees quickly or melt off of trees shortly after sunrise. Timing is everything. Being at a scene after a heavy snowfall on a non windy day and before the sun comes up is critically important. It also is why most winter mountain scenes are simply not that good, because the photographer has settled on sub- standard scenes with tree branches void of snow.
If you ever see one of my fine art prints, there are some interesting details. If you look closely you can see several wispy clouds drifting around Mt. bachelor’s summit and for all of you downhill skiers, you can also see a couple of snow cats grooming the runs on Mt. Bachelor. If you are interested in a fine art photograph of this image, please visit my Mountain Print Gallery
If you are interested in this or any of my other soon to be released Central Oregon Art Cards, please email me via the contact tab at the top right hand corner of this page or check back soon as they have been ordered and will soon be available.
All the Best,
Mike Putnam






















































Oregon Cascade Mountain Gallery
High Desert Print Gallery
Trees and Wildflower Prints Gallery
Rivers, Lakes and Waterfalls Gallery
